Friday, October 2, 2009

Mario Salieri Copertine Film

the day light again.

Concert Review: Charly Garcia at the Movistar Arena, October 2, 2009
effect in Chile Say No More is altered over the years: what was a few years ago a taste of a few who were believing in their new jobs, Today children as young as 8 years enjoy their creations. This night became light, the same Charly García, 1985 appears to have gone on tour for 20 years and return to do what he does best: music, and good.
20 minutes of delay were sufficient to refine details of the best concert he has delivered the music from their classic shows of the '80s or the way through the Chile Stadium in '93. The latter concert is the closest thing to what you saw tonight, with a bit more concentration. It was music that spoke for itself: a bunch of 31 songs, a selection of the best rock solo repertoire Argentina, with a strong start with "The Love Waits", connecting older singles like "Close to the revolution," "Strange new hairstyles," We are hitting bottom "and" Your vice "with other notable moments of his discography as I'm not a stranger, "" Rap of exile, "" Do not you dare to take off "and" Adela in the Carrousel. " Two culminating moments of the show are the most intimate moments, where the musician connects with its audiences with lyrics that in their own words were "inc ...". One is "Song of 2X3" where the lights stop solo Charly, and intimacy is closed with a zip Seru Giran: "Crying in the mirror, where the applause rained down from the start.
We can be favored in Chile with an alternative closure to the first information about the tour in Peru. After brief encore with "No Touch" people insisted, goofs and shouts went up. Suddenly, a little unnoticed Fabian "Zorrito" Quinteros, is isntaló on their keyboards and pressed the play for the sequence of "collective unconscious" to which Charles came forward to dedicate to his friend passing through sad moments, Mercedes Sosa. They left, but the public was not satisfied. The cries persisted and managed to bring back the band for Say No More Charly last issue devoted to Pinochet: the dinosaurs.
There were no tantrums, no disconnections, words more, sound problems, or changes consistent sound on the keyboard. There was only a very concentrated Charly who danced, sang, told some funny words to the public, he forgot a couple of times points (where the chorus Hilda Lazarazu strongly supported it) and I was happy, as in his best days of the eighties.

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